Is It Funny That I Listen to Love Songs in the Shower
The 60 best love songs of all time
Add together the 60 all-time dear songs ever recorded – from new classics to timeless romantic cuts – to your playlist now
From yearning ballads to wrenching declarations of need, from madrigals to metal, the history of music is the history of love songs, and vice versa. And yes, at that place have been a lot of syrupy, formulaic declarations of affection churned out for the pop charts over the years, but that'due south not what we're about here.
While y'all'll find some peachy pop ballads on this list, they're foremost here as a reflection of the glorious latitude of what constitutes a beloved vocal, a form claimed by no one genre. The only constant is that the best love songs limited sentiments that we'd struggle to put into words in real life. They're touching, comforting and uplifting all at the same fourth dimension. Sometimes the music says equally much as the words; sometimes the words are more than powerful than the well-nigh beautiful of poems.
Of course, there are days when a great love song is the last thing you want to hear. When that happens, head to our list of the all-time breakdown songs instead.
Heed to these songs on Amazon Music
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Best love songs, ranked
1. 'This Magic Moment' past the Drifters
A standout dear song fifty-fifty among the other classics written by Doc Pomus and Mort Shuman, 'This Magic Moment' is gloriously cinematic: Yous can almost motion-picture show the camera slowly zooming on the two sharing that mind-blower of a first buss, as Ben E. Rex wails reverby atomic number 82 vocals against cute swirling strings.
ii. 'Love Me Like Yous Do' past Ellie Goulding
Co-written by pop genius Max Martin and ace Swedish singer-songwriter Tove Lo, this electro ability ballad became a huge global hit in 2015. Topped off past Goulding's distinctive fluttery vocals and a properly loved-upwards climax, it'south then irresistible that it's even possible to cake out, simply about, that it featured on the Fifty Shades of Greyness film soundtrack. Hope we won't bring it up if you won't?
3. 'Unchained Melody' past the Righteous Brothers
Information technology's the mushy definition of a love song that becomes all the more powerful for it. 'Unchained Melody' has all the corny trappings of a by-the-numbers ballad: the swooning, arpeggiated opening, the crescendo to an ballsy orchestral finale, lyrics whose blatant emotional manipulation ought to fall right autonomously under scrutiny. But there's real, undeniable hunger in Bobby Hatfield'southward luminous and raw vocal, the push and pull of the instrumentation is subtler than expected, and the words reveal layers where true fidelity fights to overcome lingering uncertainty. The earth seems to agree: The Righteous Brothers' version of the song remains the nigh pop and well-loved out of hundreds of recordings from around the earth.
four. 'Tedious Show' past the National
The National is a band all-time known for its alternately stately and ravaged examinations of existential dread and anxiety—in short, they're far from lovey-dovey. But this runway from their breakout album, 2007's 'Boxer' proves that they're aware of dearest's curative powers. Frontman Matt Berninger finds himself stranded at a party without his companion and self-deprecatingly details his panic and isolation earlier identifying the exhilarating recognition of a soulmate with simple precision: 'You know I dreamed most you for 29 years earlier I saw you.'
5. 'At Last' by Etta James
The most unapologetically romantic irksome-dance–nuptials–love-scene song in history, Etta James'southward 1960 comprehend of 'At Last' may seem a fleck platitude. But from the starting time note, we all know what'south coming (honey! finally!), and James's soulful crooning induces a shiver every fourth dimension, whether we await it to or not. Case in point, pretty much everyone lost it during Beyoncé'due south rendition at the 2009 presidential inauguration ball for Obama including the Showtime Lady and President himself. Cuuute.
vi. 'Let's Stay Together' by Al Green
The lyrics to the Reverend's landmark 1971 love song, 'Let's Stay Together' clear the solemn vows of marriage: 'Whether times are skilful or bad, happy or sad.' But sung by Green, these promises are given wings. Covered multiple times since its release, Light-green'southward gorgeous original was given a new lease on life in '94, when Quentin Tarantino featured it in Lurid Fiction. But our favorite boost for the song has to be when it was sung by Barack Obama at a fund-raising event in 2012.
7. 'God Only Knows' past the Beach Boys
In 1963, Brian Wilson was so obsessed with Phil Spector's orchestral vision for the Ronettes' 'Be My Baby' that he reportedly took to listening to information technology 100 times a twenty-four hours. Three years later, Wilson and the Boys would surpass the principal with a song that lifted the notion of the sophisticated love song clean into the heavens. The uncertainty of the offset line ('I may not always dear you') is a classic pop curveball, which works with the swooping transition from intro to verse. Once that miasmic mix of harpsichords and celestial brass clears, and that opening caveat is laid bare, nosotros're left with a heartbreakingly tender song of yearning, of devotion and of allegiance. Combining the fatalism of lines like 'what proficient would living do me' with the use of God in the championship was risky business back in the mid-'60s. In that location was no need to worry. In fact, the song's universality has turned it into an about nondenominational and humanist hymn, blessed with an equivocal outlook that tin magically give succor to all forms of love.
8. 'Be My Baby' by the Ronettes
Lennon covered it, Scorsese used it to denote his directorial arrival in Mean Streets, and, as discussed, Brian Wilson was and so in awe of its orchestral drive, he famously listened to it 100 times a day. With 1963's 'Be My Babe', Phil Spector put a bowtie on the bubblegum dearest song—conveying love's urgency and sweaty-palmed excitement.
9. 'Maps' by Yeah Yeah Yeahs
While the lyrics to this early aughts classic are fairly repetitive, they become most like a mantra. 'Wait, they don't love y'all like I practice' is a thought mayhap way too many of us have had, whether spoken or not, as things start to fall apart in a relationship.
10. 'Something' by the Beatles
'Something' was the start George Harrison-written song to occupy the A-side of a Beatles single (though it did share the award, appearing equally a double A-side with unifying telephone call 'Come Together' in 1969). Capturing the swirling triumph of infatuation, the tune would get the second-most-covered song of the Beatles' canon ('Yesterday' is the offset). More than 150 artists take tried the dreamy, swooning ode on for size, including James Brown, Elvis Presley, Phish, Isaac Hayes and Frank Sinatra, who famously christened it the 'greatest dearest song ever written.'
xi. 'Love is All Around' by the Troggs
To anyone British over the age of nearly twoscore, 'Love Is All Effectually' will be forever synonymous with the Wet Moisture Wet cover from 1994, which was… basically fine, just so ludicrously ubiquitous for a period of months that the band themselves deleted the song because even they were sick of information technology. It'south worth stressing that the song they were covering, by rock primitivists The Troggs, is far superior and almost unspeakably magical, an utterly charming and heartfelt lovesong with a lullaby-like simplicity and a violin accompaniment that sounds like a flight of lo-fi angels.
12. 'Running Up That Loma' past Kate Bush
Not every love song has to be sexy! There are far friskier songs in Kate Bush's later piece of work, merely her 1985 nail remains 1 of the greatest and strangest dearest songs of all time. Over that unmistakable electronic drum figure, synths that swoop like alien birds and Bush's keening vocals work and so harmoniously together that the vocal works more impressionistically than literally. But the 'deal' she describes is beloved, an annihilation of the self as she dreams of literally condign the object of her affections so that she can better empathise them.
13. 'Wonderful Globe' by Sam Cooke
If there'due south anyone out there whose center doesn't melt only a picayune bit when they hear the pulsate palpitate that opens this 1960 swoon of a vocal, we'll eat our hat. 'Wonderful Globe' is lullaby-elementary in its construction—of course one and one is two! Of course this one should exist with y'all!—echoing the way that when beloved feels correct, it'southward somewhere between a no-brainer and a miracle. And no, we still don't know what a slide rule is for.
xiv. 'My Daughter' by the Temptations
This sugary '64 chart-topper (the Temptations' first) might be the all-time puppy-love song always. Penned by fellow Motown signees the Miracles, its instantly recognizable guitar riff (right upwards there with the one from 'Satisfaction'), peppy finger snaps, unabashed optimism and comforting-as-a-much-needed-hug harmonies can make even the virtually jaded downer feel all warm inside.
15. 'You Got Me' past the Roots
Allegiance is the name of the game in this 1999 Grammy-winning rails from Philly'due south favorite hip-hop sons, the Roots. A globe-trotting musician and a film student meet beautiful, just what happens when he goes back on bout and she starts drawing the attention of famous athletes? The dreaded long-altitude relationship has been known to decimate many a couple, but non this time. Our steadfast heroine—whose rhymes are courtesy of Ruff Ryders First Lady Eve and singing is by Erykah Badu—assures her boo that his paranoia is unfounded and, no matter what, 'You got me.' Sounds like a keeper!
16. 'When a Man Loves a Woman' by Percy Sledge
Percy Sledge's R&B (and wedding-soundtrack) staple might exist i of the almost romantic-sounding songs of all time, only the 1966 hit's lyrics basically boil downwardly to this: Love fucks everything up—your judgment, your pride, your friendships, your banking concern business relationship, the roof over your head. Information technology tin be a powerful, fickle jerk, in other words. Oh, likewise: When you lot're under its spell, it's the accented greatest thing in the globe.
17. 'I Say a Lilliputian Prayer' by Aretha Franklin
Set in F minor, the song hits like a breakup. Burt Bacharach, you clever devil. Aretha belts it similar tragedy, too. That's what puts it in the upper league, what separates it from the puppy-dog bullshit. Dearest is devastating. She turns her mundane morning ritual—hair, makeup, dressing—into opera.
18. 'The Ship Vocal' by Nick Cave and the Bad Seeds
Sure, Nick Cavern has written a large number of extremely fierce songs that would probably get the police force chosen on yous if incorrectly deployed in the procedure of wooing. But it's clear to anybody who has spent a lot of time with his work that the Prince of Darkness is an former romantic at middle. And 'Ship Song' is the near overwhelming expression of this, a full-throated, unabashedly melodic piano ballad in which he describes trying to rationalise his feelings for a lover before abandoning the attempt in glorious surrender: 'we make a fiddling history, baby, every time you come around' he roars, framing what might just be a fling like some epic poem of one-time.
19. 'Temptation' by New Club
Kelly Macdonald sits on Ewan McGregor's bed, cooing, 'Oh, you've got green optics, oh, you lot've got blue eyes, oh, you've got gray eyes,' as he writhes and sweats through common cold-turkey hallucinations. Can't hear that refrain without thinking of that scene in Trainspotting. Bernard Sumner's daffy lyrical abstraction often stumbled upon genius, as he does here. 'Temptation' encapsulates being likewise pissed to discover or remember anything simply some lovely person's irises. Information technology is the inarticulate poetry of clubbing adolescents. Or, it could exist an ode to David Bowie. Either way, nailed information technology.
xx. 'Signed, Sealed, Delivered I'k Yours' past Stevie Wonder
Stevie Wonder was a mere 20 years old when he released his apologetic anthem 'Signed, Sealed, Delivered I'grand Yours.' Fifty-fifty at that tender historic period, the Detroit prodigy had done a lot of foolish things that he really didn't mean, only making that record wasn't one of them: It spent six weeks atop the U.Southward. R&B chart and garnered Wonder his first Grammy nomination.
21. 'I'chiliad On Burn' by Bruce Springsteen
Bruce Springsteen'due south vast repertoire of poetic, politicised blueish collar anthems leaves surprisingly little room for romance. But there is, of course, ane bang-up romantic jam in Broooce's ouvre. Over sultry layers of synth and a heartbeat drum auto, the narrator of 'I'm On Fire' is consumed with an near unbearable want . 'Hey little daughter is your daddy home, did he go and go out y'all all alone?' he coos and there'due south an ambivalence to it: are his lyrics simply in the idiom of '50s rock'n'ringlet? Or is there something forbidden most the character's desires? The video strongly suggests the sometime, simply there's an undeniable element of danger to his honey – nay, obsession.
22. 'Center Know' by De La Soul
Via a sugariness hip-hop sentimentality, this 1989 cut from (then-teenage) Long Island trio De La Soul perfectly demonstrates what the crew meant when it referred to the 'D.A.I.S.Y. Age.' Set to snippets of Steely Dan'south 'Peg' plus a breakbeat from Sly and the Family unit Rock's 'Sing a Elementary Song' and a sample of Otis Redding's whistling from '(Sittin' on) the Dock of a Bay,' 'Heart Know' is every bit charming as it is neat—a gorgeously deft and understated invitation to love.
23. 'I But Have Eyes for You' past The Flamingos
The Flamingos' 1959 doo-wop classic is a perfect slow-dance standard, with super-literal lyrics about that moment when everything and everyone else fades away. The group—one in a slew of the 'bird groups' of the '40s and '50s, including the Orioles, the Penguins and the Larks—set a high bar for elegant ballads such every bit this ane, and played their own instruments to boot. Swoon.
24. 'Countdown' by Beyoncé
At that place was some contend over the merits of this 2011 rails versus those of Queen B's showtime chart topper, 'Crazy in Love.' But it'southward a no-brainer. 'Crazy' is non dearest, information technology's the first blush. Information technology's a trounce, and the music, appropriately, is empty-headed and one-dimensional. Only 'Countdown'? That's some real shit. It's crazy in dear years later, after the domesticity, later on you finish bothering to close the bathroom door. And the melody, the organisation, is complex, mercurial, fluttering and diving, able to create a rush from routine. This is the one that will make Senator Blue Ivy weep ages from now.
25. 'My Baby Simply Cares for Me' past Nina Simone
Though Nina Simone recorded her definitive version of this standard in 1958, it became an unlikely chart hitting in the U.Chiliad. nearly 30 years later, when it was used in a pop ad for perfume. The irony of this commercial connectedness is keen, since the song itself represents a rejection of fabric and cultural distractions. Simone'southward account, though relatively lighthearted by her standards, nonetheless strips the ditty of much of its surface frivolity; in operation, her rendition could seem positively dour. With matter-of-fact majesty, she restores the honey song, in a sense, to its own values.
26. 'Information technology Had to Be You' past Harry Connick Jr.
Flirtatiously wry in its acceptance of the vocaliser's perfectly imperfect lucifer ('For all your faults I love you still'), this 1924 Tin Pan Aisle ditty has been a Hollywood staple for generations, in films ranging from Casablanca to Annie Hall. For many modern listeners, though, "It Had to Be You" is indelibly linked to the 1989 rom-com When Harry Met Sally…, a movie that perfectly captures its sense of romantic inevitability. Harry Connick Jr. recorded the soundtrack when he was just 21, with a mix of youthful freshness and retro finesse that deservedly fabricated him an instant star.
27. 'Hallelujah I Love Her So' by Ray Charles
Ever had a neighbor yous can't stop flirting with? Ray Charles knows the feeling. Of course, the adjacent-door neighbors in his debut single, 'Hallelujah I Dearest Her And so,' certainly get across being cordial and friendly. Between Don Wilkerson's tenor sax solo and the sweet lyrics about the quiet kindnesses of romance (bringing coffee to each other, coming at a moment's telephone telephone call) the song captures in its entirety a love that comes from a perfect understanding. When Charles sings that he knows she'll exist there for him, despite people'southward doubts, because 'she told me and then,' information technology becomes crystal clear that this is the kind of connection that'southward meant to be.
28. 'I Will Ever Love You lot' by Dolly Parton
Dolly Parton'south adieu to her long-time partner and mentor, country fable Porter Wagoner, when she decided to pursue a solo career, became quite the awareness in 1974. It's difficult to think of a better vocal in popular culture that captures the 'if you dearest something, set it free' sentiment. While few of us—relieve Whitney Houston—tin can belt those loftier notes like Parton, that doesn't cease us from wanting to sing forth with the chorus, with nonetheless pent upward passion.
29. 'Never Tear Us Apart' by INXS
Nosotros all take those moments when our lives play out like the final five minutes of a CW season finale (before the shocking cliff-hanger, natch). You're in a plaza or possibly a café, and the object of your affections enters the frame. Fourth dimension slows down, all other noises fade. You exchange glances. Your middle flutters. The synthesized strings kick in (it was 1988, after all). And Michael Hutchence, Australia'due south respond to Jim Morrison, starts to sing: 'I was continuing.… You were there.… Two worlds collided.… And they could never, ever, tear us apart.' And and so—that break.
thirty. 'At Your Virtually Beautiful' past R.E.G.
Since it was released in 1987, many have taken R.Eastward.Yard.'s quantum unmarried 'The I I Dear' to be a love song, completely wrongly: it'southward actually a brutal dismissal of a quondam lover. A decade later, though, they penned this absolutely radiant Beach Boys homage, that brims with the uncomplicated magic of existence purely in dearest. Over melodious piano and a lush bed of 'doo doo' backing vocals, Michael Stipe'due south breathy, wholesome announcement to his lover that 'I found a manner to brand you smile' sounds similar the almost swoonsome affair on earth.
31. 'I Want to Break Free' past Queen
Though more than often recognized as a song near breaking gratuitous from oppression—and for its amazing music video starring members of the band in drag—in that location's an undeniable love story besides included here. The narrator has 'fallen in love for the beginning time' and they know 'this time it'south for real.' How that dear will blossom as that person finds their freedom to arrive on their ain is unclear, simply hey, it's a start.
32. 'Sea of Honey' past Cat Power
But how many times did this song appear on mix CDs fabricated for dorm-room crushes in the aughts? We're too busy to do the math, just we're guessing…a lot. Cat Ability'due south bare bones take on Phil Phillips's archetype, like many of the tracks on her 2000 LP ' The Covers Record' , imbues the much-loved vocal with a dose of longing and vulnerability.
33. 'Be My Married woman' by David Bowie
Although his ultra-melodic Motown thumper 'Mod Love' is big at weddings, you lot don't really become to David Bowie for sincere feelings. But in that location are exceptions, foremost this astonishing song. Taken from his pioneering electronic opus 'Low', it'due south paradoxically 1 of Bowie simplest songs: a furiously hammered, nearly oompah piano over which he plaintively begs 'please be mine, share my life, stay with me, be my wife'. It is absolutely non a sexy song, but the desperate audio of a man clinging on to a lover like they're the last refuge from the storm is itself intensely romantic. Also great if you lot're looking for a very literal proposal song.
34. 'Hitting' by The Sugarcubes
Wow. If ever the ecstasy and anguish of falling in love was captured in music, it's on this 1992 rails—which catapulted Sugarcubes singer Björk to wider fame. 'This wasn't supposed to happen,' she wails at the song'southward opening, bemoaning the fact that she's in love once again: 'How could y'all practise this to me?' she chides her lover. But then the sweet, dreamy eye 8 sneaks in: Now she'due south lying in bed, 'totally still, my eyes wide open, I'k enraptured…' And so Björk vacillates between the bliss and the pain; equally Paul Dooley says to his lovesick daughter in the John Hughes moving-picture show Xvi Candles: 'That's why they call them crushes. If they were like shooting fish in a barrel, they'd call them something else.'
35. 'Vision of Love' by Mariah Carey
Whatsoever number of Mariah Carey songs could claim a place on this list, but her stunning debut single remains irresistibly romantic. Released in 1990, it'due south a gorgeous, gospel-tinged pop-soul ballad that builds towards a thrilling climax featuring Mimi's signature whistle notes. Carey would go on to write and perform more than sophisticated dear songs, but 'Vision of Love' captures that collywobbles-in-your-stomach feeling with a light-headed sense of bliss.
36. 'You Brand My Dreams' by Hall & Oates
Y'all don't even demand to listen to the songs lyrics—just that upbeat melody—to understand that this one is all about that love that makes you want to twirl equally soon as yous step outside under the sun and skip down a city street. While most of the duo's soft rock and smoothen-jazz-esque ethos lended itself to diddies about a more stained and complicated romance, 'You Brand My Dreams' is pure optimism.
37. 'That's How Strong My Love Is' by Otis Redding
Otis, y'all slay us. We're hard-pressed to think of an creative person who croons the good, bad and ugly of honey as heartbreakingly well, and this 1965 cover (of O.V. Wright's '64 original) is no exception. The lyrics are so comforting, so reassuring—especially when sung with Redding's signature soul—that information technology makes us feel adored just to hear them on the stereo.
38. 'The Volume of Love' by the Magnetic Fields
Stephin Merritt in one case said of his group'due south 1999 lo-fi concept masterpiece: '69 Love Songs is not remotely an album about love. It'southward an anthology about dear songs, which are very far away from anything to do with love.' We'd argue otherwise near "The Book of Love," a monkishly unadorned ode to flirtation in all its mystery and boiler. The track'south status as a hipster-wedding staple hasn't dulled its poetic beauty, or the uncomplicated truth it conveys virtually matters of the heart: 'Some of it is just transcendental / Some of it is merely really dumb.'
39. 'Honey Hangover' by Diana Ross
Earlier she was coming out and wanting the earth to know, Diana start staked a claim on disco by virtue of this supreme 1975 Motown cutting. Thanks to a mellow-into-groovin' tempo change, she lays down the love song law in style by sending away any doctors boasting a cure for her sweetness hangover.
twoscore. 'Bound two' by Kanye Westward
Don't exist turned off by the over-stylized video or the lyric 'Step dorsum, can't get spunk on the mink'—in our opinion, Kanye's tribute to Kim Kardashian is one of the most heartwarming beloved songs of the by decade. Brilliantly honest and plainspoken ('Okay, I don't remember where we first met'), it rejects romantic clichés to paint an intimate flick of Ye and Kim's relationship. It may be over now, only hey, we'll e'er take the memories.
41. 'Fri I'm In Honey' by the Cure
While we really enjoy getting super-sentimental to Robert Smith's vocalism—and typically tin't stand to listen to so-called 'happy music'—this love song's tricky-equally-hell hook and upbeat tempo serve as a skilful counterpoint to all those other straight-upwards tear-inducing Cure tunes. Plus, who doesn't love Friday?
42. 'Cheek to Cheek' by Ellla Fitzgerald
Untroubled past the darker themes that complicate then many love songs, Irving Berlin's 1935 archetype—written for Fred Astaire to woo Ginger Rogers with, as they dance in the motion picture Elevation Hat—is a pure expression of romantic bliss. 'Sky, I'm in heaven / And my heart beats so that I can inappreciably speak': When Ella Fitzgerald sings these lines on her 1958 album of Berlin standards, with a confident and skillful-natured swing of total delectation, you tin can't help joining her in the clouds.
43. 'To the Terminate' by Mistiness
Blur aren't exactly what you think of equally a romantic band, even if their album '13' is one of the all-fourth dimension great heartbreak records. But then in that location's this absolutely delightful ballad. 'To the End' is in fact about the end of a human relationship, but frankly it makes the cease of a human relationship sound incredible. Over waltzing music and dreamy, half muttered French backing vocals from Stereolab'southward Lætitia Sadier, Damon Albarn'south soaring declaration that 'you lot and I, just collapsed in love' contains not a jot of remorse, merely pure joy that the relationship flourished, if simply for a while.
44. 'The Ability of Love' by Frankie Goes to Hollywood
Beloved is a sweet and first-class affair, but boy, oh boy, tin it get dramatic—the blitz of endorphins washing through your body when you fall in love, the pangs of pain and fear and longing that tin follow.… In 1984, Holly Johnson'due south British crew somehow managed to touch on the plume-fine subtlety of love, and its crashing, whooshing, earth-shattering might. Johnson himself has remarked of the vocal, 'I always felt similar 'The Power of Love' was the tape that would relieve me in this life. In that location is a biblical aspect to its spirituality and passion; the fact that beloved is the just matter that matters in the end.'
45. 'The Very Thought of Y'all' by Billie Vacation
Originally recorded by Al Bowlly and so Bing Crosby in 1934, Ray Noble's jazz standard has been covered fourth dimension and again this past 80 years—but its defining version comes from Lady 24-hour interval. This 1938 reverie swings like a lazy fantasize, Holiday's voice sweetness and languid. 'I see your face up in every flower,' she coos, reminding yous of each fourth dimension you got lost in fantasy when you were washing the dishes, or watching a movie, or listening to someone explain something to you.… Sad, what was that?
46. 'Hello' by Lionel Richie
Banish from your mind's middle the meltingly cheesy and vaguely creepy video for Lionel Richie's 1984 No. i hit, with its plot virtually a teacher, a blind girl and the dirt bust she molds of him. Simply requite yourself over to the softer kitsch of the dear song itself—the slow build of anticipation, the rise and autumn of the guitar solo, Richie's tender vocals every bit he imagines spilling his center out—and you may be surprised to find how well it has held upwards in the years since that rather unfortunate introduction.
47. 'I Wanna Be Your Boyfriend' by the Ramones
Just stated, obviously sung—no one tin can accuse Joey Ramone & Co. of overdoing it. It was drummer Tommy who wrote this ditty, which appeared on the grouping's 1976 debut, and, as far as proposals go, information technology'd serve every bit a fine dearest letter to anyone you'd like to attach yourself to, equally long every bit they aren't too keen on extended verbiage. This song gets the chore done in something like viii lines, a quarter of which are also the championship. Brusk and sweet.
48. 'Cherish' by Madonna
Considering we tend to think of her as pop's ultimate envelope-pushing chameleon – something she definitely is – it's like shooting fish in a barrel to forget that Madonna can also exist sweet and tender. This infectious love song from her classic 'Like a Prayer' album is a example in signal: 'Cherish' is a charming and heartfelt update of the '60s girl-group sound correct downwardly to the perfect loved-up couplet:'Romeo and Juliet / They never felt this way, I bet.'
49. 'Twenty-four hours Dreaming' by Aretha Franklin
Franklin's near-flawless 1972 album, 'Young, Gifted and Black', shifts into this love song with a dreamy jazz flourish earlier cut to the legendary singer'southward soulful this-is-how-it-is voice. The refrain of 'Day Dreaming' might be all about fantasizing near getting away with your human being, simply the verses are about trying to change and do everything to be the correct adult female for him. Though this might seem submissive for a powerful woman, she does say that he 'Turns me correct on when I hear him say / Hey, babe, let'south become away,' so maybe that fantasy is worth it.
50. 'Eternal Flame' by the Bangles
The Bangles started out as a Beatles-influenced garage-stone band before gradually becoming glossier and poppier as the '80s barrelled on. Co-written and sung past grouping member Susanna Hoffs, this treacly ability ballad topped off with a shameless primal change was controversial fifty-fifty within the grouping. Withal, information technology topped the charts worldwide in 1989 and remains pretty much impossible to resist, thanks largely to Hoffs' genuinely lovely vocal.
51. 'Ain't Nobody' by Rufus & Chaka Khan
Quincy Jones about nabbed this slice of loved-up electrofunk for Michael Jackson, but it ended upwardly becoming a signature tune for R&B diva Khan when she sang information technology with her sometime band Rufus in 1983. When Frankie Knuckles gave information technology a pianoforte business firm remix in 1989, a new generation went crazy for the song: at present artists ranging from Mary J. Blige to KT Tunstall take recorded versions, simply none of them reach the thrilling heights of Chaka equally she hits the final chorus.
52. 'This Must Be the Place (Naive Melody)' by Talking Heads
This 1983 striking was David Byrne's attempt to write a love song 'that wasn't corny, that didn't sound stupid or lame the fashion many do.' Though he'south often avoided the topic (due to it existence 'kinda big,' as he eloquently puts it), Byrne striking the target here with a sweet, sincere tune well-nigh home existence wherever your lover is.
53. 'Everywhere' past Fleetwood Mac
Oh, you lot thought chillwave was some blogger invention of 2009? Take a dip in Fleetwood Mac'south 'Tango in the Dark' anthology, on which Buckingham, Nicks and McVie invented—no, perfected—the sound in 1987. On standout track 'Everywhere', McVie stacks and stacks her blissful sighs atop darting, shimmering Buckingham arpeggios and a informal drum gallop. Eat your heart out, Embankment Firm.
54. 'Yous're More than Than a Number in My Little Cerise Book' by The Drifters
Legendary song group The Drifters' very long and very confusing career came to a climax of sorts when they decamped to the UK in the late '70s and scored a last slew of hits. The last and best of them was this irresistibly brilliant love song in which the song'due south narrator pledges his all to a girl he's just hooked up with. And you lot totally believe him: the song'south sheer, giddy momentum gave the veteran doo-wop group a hit at the height of punk – no wonder it remains flawless to this day.
55. 'Goose egg Even Matters' past Lauryn Loma
'Nothing Even Matters' might non have received equally much recognition on Loma'south critically acclaimed The Miseducation of Lauryn Hill every bit other singles, merely, looking dorsum, it was a most perfect showcase for ii of the '90s foremost neo-soul artists. For two singers who reached the peaks of musical accomplishment through astounding ambition and innovation, this restrained and unproblematic beloved song shows just how talented each was beneath information technology all. Hill and D'Angelo merchandise sensual verses with a shine, tenderness in a stripped down carol that might just make you desire to strip down equally well.
56. 'Teenage Dream' by Katy Perry
Dearest is rarely as carefree or thrilling as when yous're a teenager, which is why Perry's 2010 pop stomper never loses its appeal. Whether you're 25 or 85, there's something well-nigh the pay-off line 'you lot make me feel similar I'm living a teenage dream' that hits hard every single time. When you find that person, don't permit them go.
57. 'The Way You Make Me Experience' past Michael Jackson
MJ's chart-topping Bad unmarried finds the King of Pop in full-on cupid's-pointer dearest-struck way (dissimilarity with the seedy depictions of romance in the every bit compelling 'Billie Jean' or 'Dingy Diana'). Information technology's a plea, in a sense, for love unattained—simply the body-moving, carefree arroyo leaves piddling dubiousness to the vocalist's sincerity.
58. 'Stay Together' by Suede
Past some mensurate the most romantic of the Britpop bands – indeed, arguably the only romantic Britpop band – Suede's tales of doomed love aren't for all, but if you get it then 'Stay Together' is the absolute apotheosis of their work. Eight minutes of murky grandeur, frontman Brett Anderson paints a picture of gaspingly intense love in a ruined world - 'we volition dance in the poisoned air' - while soon-to-depart instrumentalist Bernard Butler conjures up an astonishing sonic earth that builds from the faintest twinkling of guitar to a roaring barrage of horns. Romance at its most overwhelming.
59. 'Bartender' by Lana del Rey
Lana del Rey'south world is, for the near part, 1 of cynical sex and jaded desires. Which is what makes 'Bartender' so affecting: it's a wild but also very touching fantasy of running away from her fame and luggage, ownership a vehicle the paps don't recognise, and starting a simple, pure relationship with a human who appreciates her for who she is. 'I bought me a truck in the heart of the night, it'll purchase me a yr if I play my cards right' she keens. Is the bartender a real guy? Who knows! Simply information technology's her shining, radiant love of freedom that really shines through.
60. 'Habitation' by Edward Sharpe and the Magnetic Zeros
Magnetic Zeros frontpeople Alex Ebert and Jade Castrinos had a whirlwind romance that sparked a band, so information technology'southward only fitting that the Magnetic Zeros' 2009 breakout striking was this sweet duet. They sing to each other similar Johnny Cash and June Carter, with a whole crowd (and a horn department) behind them. What makes this tune's aw-shucks, neohippie earnestness piece of work so well is that y'all tin can only tell that Ebert and Castrinos mean it. 'Nosotros laugh until nosotros call back nosotros'll die / Barefoot on a summertime night / Never could be sweeter than with you lot.' This is your soundtrack for cartwheeling through a field of daisies.
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Source: https://www.timeout.com/music/60-best-love-songs
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